Textarchiv

disintegrate! 3. Berliner Herbstsalon 03/2018, Camera Austria International

Contemporary art, it seems, has officially entered a state of crisis—at the latest since a shitstorm hit the fourteenth documenta, pointing out the budget deficit it created. Although this might be considered ridiculous compared to, let’s say, the dimensions of global art market speculation.

Tito’s Bunker 09/2017, Camera Austria International

Hidden in the green mountains just outside of the Bosnian city of Konjic, frequented by tourists for hiking and rafting, a massive underground construction spreads over 6,500 square meters. Built in the years between 1953 and 1979 to house 350 military officials, the socialist leader of former Yugoslavia, and his wife in the then quite likely event of an atomic attack, the bunker (the official name was “D-0 ARK Underground”) is an unlikely place for housing what is today probably the most pivotal collection of contemporary art in Southeastern Europe.

Fotografische Positionen einer Umbruchsgeneration 10/2015

Einführung in die Ausstellung und Filmreihe „Der dritte Blick. Fotografische Positionen einer Umbruchsgeneration“, Willy-Brandt-Haus, Berlin, 2015, und Stadtgalerie Kiel, 2016

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Introduction to the exhibition and film series “Der dritte Blick. Photographic Positions of a Generation of Change”, Willy-Brandt-Haus, Berlin, 2015, and Stadtgalerie Kiel, 2016

Strajk. Künstlerische Fotografien und Amateuraufnahmen aus dem Archiv des Europäischen Solidarność-Zentrums in Gdańsk / Strajk. Artistic photographs and amateur shots from the photo archive of the European Solidarity Centre (ECS) in Gdańsk 08/2014

Einführung in die Ausstellung „Strajk. Künstlerische Fotografien und Amateuraufnahmen aus dem Archiv des Europäischen Solidarność-Zentrums in in Gdańsk“, Polnisches Institut, Berlin, 2014

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Introduction to the exhibition “Strajk. Artistic photographs and amateur shots from the photo archive of the European Solidarity Centre (ECS) in Gdańsk”, Polnisches Institut, Berlin, 2014